So, I was all settled down for a night of beer drinking and bad Netflix with my fiancee, when I realized that I hadn’t written a blog post (something I’d promised myself I would do every week, at least, from now on). Thus, here I am . . . writing a blog post on a Saturday night. Lucky me. Lucky you. Lucky all of us, right?

First, you must realize that this week has been crazy for my brother and I.


Well, we sort of agreed to get a table at a craft fair in our neighborhood. Normally, this would not be that big of a deal. We have books on hand all the time, and we’re ready to do that kind of thing at a moment’s notice.

But, this occurence is different. You see, my brother and I had not meant to do any in person table working events until this coming fall, when my book The New Orleans Zombie Riot of 1866 would be out in print. The original plan on that book was to release it as an ebook and use the proceeds from sales to fund a lovely illustrated edition we could have at the Weird West Fest in Giddings, Texas.

And, then, well, I sort of, you know, kind of agreed to this.

Unfortunately, we hadn’t even REALLY started the book. We had sort of. Which I’ll explain later.

So, we’ve had a book to complete.

For those of you that don’t know, I’m the author of NOZOR (that’s what all the files on my computer call it, at least). I’m also the publisher. Conflict of interest? Not so much. I wrote the original story as a fill in for the first PULP!, and my then my now-fiancee and brother both told me I’d done something stupid by (SPOILER ALERT!) killing Jacob Smith, the main character, off.


After finally listening to their advice, I went back and imagined Jacob’s past and started writing short stories for him under my own name. We published a few, then I wrote a novella, and Chris really loved them, so we moved forward and started producing the book.

Where does the lack of conflict come in?

Chris has, in the past, quite gleefully shot my work down. Quite. Gleefully.

He loves crushing my dreams and ambitions. My favorite phrase from him is still, “It’s shit. Start over.”

Like I said, no conflict.

But, let’s get back to this week. Or, rather, the process that has finally come to an end this week. And, to do that, we have to go back about a year.

When I first finished NOZOR, I wanted to make it as just an ebook, right? But, I hate reading closely (analyzing, thinking about, rethinking, etc.) in electronic format. I also hate proofing electronically. I miss too many small things. So, being the layout engineer that I am, I laid out a proof edition. Here’s an image of the cover, if you’re interested:

Read the whole thing.

Read the whole back cover (on the left).

I distributed it to a few beta-readers, got my feedback, did my proofing, etc., before settling on a final version of the book for the Kindle edition.

This took a while, mainly because I totally locked up on a confidence issue of whether or not the book was good enough for me to even continue. For about a week, towards the end, I considered scrapping all three short stories AND the novella (72,000 words). Total crisis of faith. I refused to edit it, even though i was getting good reviews back.

Yeah, I got past that, thank whatever, with the help of two friends (artists) who told me: You’ll never get past this. You are your worst critic. That story is you, and your world. So you have to put it out. Tough. Titties.

We ended up with a finalized book, with a finalized book cover. How we came about that, though, is a funny story. We submitted it to a buddy, who had an idea, asked for our ideas, we coalesced our ideas. And nothing happened.

So I came up with my own idea, and the way to make it happen. I wanted a revolver and a sword, with some accouterments of the era, a good camera, and everything to look very tin-type-ish.

We went to work.

I asked my friend Richard, sort of jokingly, “Hey. You wouldn’t happen to have a working Civil War-era revolver, would you?”

“I actually have two.”

“Really? Cause I’m not joking.”

“Neither am I. Do you want to fire them or something? Because I need to clean them first.”

“Wow. Just wow.”

So, we had two revolvers, even though we only used one. I borrowed a sword from my buddy Justin, and Chris expanded and slightly altered an authentic New Orleans map for us so I could print it. Then we set to work on staging a photo-shoot for our cover, which is displayed below in its full glory:

N.O. Zombie Riot Cover final

We got that and moved forward after a very relationship-shaking week. Seriously, it was bad. Don’t ask, but there were people crying over what happened. At the end of the day, though, everything was fine and the book was released on time.

Then, my friend Catherine invited us to do this fair.

Now things have gotten interesting.

True, we already had a sort-of-book. But we didn’t have a salable book. We just had something you could proof comfortably.

We decided to make the book on Sunday, February 16th, 2014.

On Monday, February 17th, 2014, I met with my intern. We discussed our plans and, realizing our schedules wouldn’t coincide with when she would be working with us, decided I would have to rebuild the book on my own.

On Tuesday, 2/18/14, I went back in, maneuvered everything to a more pleasing setup. I Inserted front copy, back copy, etc. I submitted it to Chris.

On Wednesday, 2/19/14, Chris let me know he didn’t like it. I changed the way we broke stories and sections, re-proofed multiple times (multiple times). There were issues with some copy. I reworked them and resubmited.

On Thursday, 2/20/14, I went to a belated Valentine’s Dinner with my fiancee. Afghani food. If you haven’t tried Nora’s in Dallas, you’re missing out. We also went and watched Monuments Men, which was bad ass. I highly recommend it. I came home and fixed some issues, recompiled everything, etc.

On Friday, 2/21/14, I awoke early and built the back copy. That took about five hours. Re-tweaked the text all to hell. “Is this unique?” “Has someone written this before?” “Is this cliche?” “Is this is the most descriptive word possible?”

My fiancee gave me an “AH-FUCKING-HA!” moment, when she explained “You lost me. I don’t even care or know what this is about.” while reading my back cover.

I reiterate: Total Aha! moment.

Rebuilt. Resubmitted. Chris built everything around it, cleaning it up and perfecting. He finishing about 2:45 AM on Saturday morning:

NOZOR 1866 - Full Jacket

We submitted it Saturday morning at 10:30 or so. We have our fingers crossed that everything comes out alright. Honestly, if it doesn’t, we’re stuck with some crap books.

All told, though, it cost us about thirty-five hours of our lives for this round of revisions and updates. That’s not much, when you think about it, but it’s still a work’s week for one person. And when you want to be doing something else with that time (like writing, drinking, screwing, looking at art, reading), those thirty-five hours are incredibly precious and wonderful. Thirty-five hours cost is like four or five car payments.

I had someone ask me how much it costs to layout a book. I replied, “Nothing. I do it myself. Someone else doing it, though? A grand, maybe? Maybe. I dunno.”

Yup. Late blog this week.

Dieselpunk: an Anthology

February 14, 2014 — 2 Comments

Okay, so if you’re here at Twit Publishing’s little carved out burrow in the web, you’re probably here because of this:



Am I right?

We just released this bad beast earlier in the week, and it’s doing really well despite us.

What do I mean by “despite us”?

Chris is going to pitch a fit that I’m telling you this, but he and I are (how do I state this politely?) really bad marketers. We make wonderful books that we feverishly enjoy (we have to if we’re going to read it ten-plus times), but we’re not publicity agents.

So, we got an intern for that. But, you know, interns are just interns. They don’t know a whole lot yet. We can teach her how to design books, do some of the publicity work, etc. She’s like a puppy that’s housebroken and can type. And get coffee, of course.

This means that you will begin to see Dieselpunk trickling out into the webs. We were more focused on the book for the last several months than anything else: more steak, less sizzle.

Time to get serious, though:

Here’s some of the big Q&As:

Why are you guys doing a Dieselpunk-centric book?

Chris and I have always loved the Diesel-era, and we think it’s a great, open genre to muck around in. I’ve talked to a lot of people who have wanted to define it in a very rigid way, with a focus on just diesel-engines, or world war II, or world war I, and so on, and I hate that. Mainly, I hate having other people what my taste should be like. I also think that every great genre out there worsens when you go “well, you can’t do that because it doesn’t fit the conventions of the genre.”

Know what? Screw that. Every great story out there has broken conventions, and it smashed them with a gleeful smile.

So, that’s why us. We like it. We saw that there weren’t any books doing what we wanted. So we stepped in.

Is Dieselpunk on .epub yet?

No. I’ve made a calculated effort to enroll it into Kindle Select, which precludes us from selling it through other digital-sellers. FOR THE TIME BEING. It’s worked on some previous titles, so we’re going to see if it’s a fit for Dieselpunk. If things don’t pan out, I will be moving it to all major booksellers sometime after the next 90 days.

What can I do to get it in another format?

I’ll cut you a deal. You buy the .mobi through Amazon (yes, it’s a great Satan, and Bezos is the whore of babylon), and I will help you in converting it to any other format you could possibly want. Pay unto Caesar, etc. before you get your pound of flesh.

Is the print version of the book worth it?

We’re going to post a video of the layout, etc, so you guys can get a “feel” for it. I spent sooooooo many freaking hours working on that book, and I think it’s beautiful, from the font choice and layout, to its silky-smooth cover. If I wasn’t already engaged to the most beautiful, wonderful woman I’ve ever met, the print version of Dieselpunk: an Anthology would have to use Craig-Begone Spray to keep me away.

So, yes. It’s very worth it.

Here it is in case you want to bite the bullet and purchase your very own.

It should also be available through most every online book retailer. We’re hashing out the details on getting them into bookstores. Patience.

Who are the Authors? What’s their favorite colors? What do you they like to eat? Do they eat?

All in due time. I’ll be putting some interviews up in the next few weeks.

2012 in review

February 13, 2013 — Leave a comment

The stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 2,800 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 5 years to get that many views.

Click here to see the complete report.

The Twit blog has essentially become the Twit website (and it only took me a week.). Now it’s time to begin techno-babble-back-end crap where this becomes the official site. Luckily, I know nothing about that, and so much leave it in the  capable hands of our webhost.

Instead, I get to move onto other, bigger, newer projects and revisit bigger, better, older projects. Currently, we have two books in the works. Dieselpunk (we’re still working on it. With a small shop like ours, it’s a pain to get EVERYTHING completed that you want BY WHEN YOU WANT) and a rerelease of a collection of short fiction titled Notes on Falling. We will also be releasing a few new pieces of free short fiction in the coming months.

Now, it’s time to get back to updating our ebook back catalog, and making sure everything is on the up and up.


New Website

November 19, 2012 — Leave a comment

If you’ve visited the site in the last week or so, you can see that it’s coming along at a decent pace.

Finally pieced together the catalog and author pages and linked everything together.

Easy. Part. Done.

Now onto Submissions, About, Contact, and all that jazz, then to work on pinpointing short comings for the site (things like lack of forums). This new framework should give us more wiggle room for growth and future developments in the company.

Please excuse our mess

November 14, 2012 — Leave a comment

You may notice some changes going on at Twit Publishing’s humble blog. It’s nothing to be concerned about, I assure you.

Basically, I’m constructing the new website for Twit Publishing around its blog, and then shifting everything over upon completion. You shouldn’t notice any kind of downtime, and all of this “mess” should be finished in a couple days.

Here it is, folks! The newest cover for Dieselpnk: an Anthology.

This puppy’s almost 100% finished. Continue Reading…

Dashing off a quick blog here before I get back to work. Continue Reading…

Just a rundown on where we’re at. Continue Reading…

Kickstarter Part 2

September 7, 2012 — Leave a comment

So, I think we’ve come close to narrowing down the incentives portion of the Kickstarter for Dieselpunk: an Anthology. 

We went from 20 to 16. Whether these will make the final cut for the initial project start is still up in the air. A few of them would be on the higher end of expensive to create.

Give us your feedback! Continue Reading…